《这十年》主题系列节目是由国家广电总局网络视听司指导,芒果TV承制的网络视听节目矩阵,节目聚焦党的十八大以来的非凡十年,讲述以习近平同志为核心的党中央,带领人民所书写的新时代精彩故事。 据悉,该主题系列节目包含《这十年》微纪录片、《这十年·追光者》综艺节目和晚会等。其中《这十年》微纪录片定档8月1日起每周一、周二10:00播出,《这十年·追光者》综艺节目定档8月3日起每周三12:00播出。湖南卫视也将于8月7日起,每周日19:30播出《这十年·追光者》。
In re-viewing our super eight films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.
Behind the scenes discussion of animation techniques and the making of Pinocchio.
英国士兵哈里·特纳18岁时被派往阿富汗。他从战场上回来时已身无分文。在与创伤后应激障碍、抑郁症和自杀念头的斗争中,他深入秘鲁雨林,在那里他遇到了美国科学家萨曼莎。他们一起照顾一只孤儿豹猫,一种小斑点野猫。
这部电影仔细研究了2019年造成22人死亡的瓦卡里/怀特岛火山爆发,发自内心地讲述了普通人被要求做不平凡的事情的一天,将这一悲惨事件置于自然、复原力和我们共同的人性力量的更大背景下。
An immersive journey through the New York music scene of the early 2000s. A new generation kick-started a musical rebirth for New York City that reverberated around the world.
美食哲学双向对谈——两三好友,以不同风味美食呈现背后蕴藏的独特生活哲学。
该节目是一档外景纪实类读书节目,邀请写书人、出书人、爱书人作为主要嘉宾,共同前往一座远离喧嚣的岛屿。在这里,他们生活、相处、读书、写作,享受阅读带来的乐趣和意义。节目用有意思、接地气的内容,将好的书目、好的阅读方式以及嘉宾关于读书写作有意义的思考呈现给观众和用户,拉近普通人与“阅读”的距离。
跟随菲洛梅娜·库克,她幽默地讲述了我们最伟大的发明的故事,并向专家们提出了关于人类进步的尖锐问题。
《我们的生物多样性——卓乃湖》由中国科学院昆明动物研究所和云南大学(排名不分先后)联合出品,是《我们的生物多样性》系列的首部作品。本片由科研一线团队独立拍摄制作,故事以藏羚羊迁徙至卓乃湖产仔为主线,在...
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
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